Orhan Pamuk and the Museum of Innocence

Fusun’s dressThe idea for this museum in Beyoğlu, Istanbul, based on Orhan Pamuk’s novel The Museum of Innocence, was conceived at the same time as the idea for the book. They simultaneously came into thought in the 1990s, and the novel was published in 2008 while the museum was opened in 2012.

For those of you unfamiliar with the novel of the same name, all I will say is read it, as I don’t want to tell you more for fear of spoiling the experience. What I will provide are my impressions of this exhibition covering four floors of this five storey house that was once home to the actual Keskin family.

Step into another dimension in the Museum of InnocenceThe entry way is covered by the Spiral of Time, a floor design representing Pamuk’s view of memory. The golden dots that form the spiral are moments in time, which seen as a whole provide a pleasing and calming image. Unlike Aristotle who thought of time as a line joining moments which became the present, Pamuk sees the story as a line joining the objects described in the novel. When time is linear, the overall memory can be one of disappointment, but when it is understood as a series of moments, some joyous, some less so, the final memory is one that can be treasured.

I walk up the creaking wooden stairs, gliding my hand up the darkly burnished rail, and stop when I hear a bird tweeting. Slightly above me I see a tiny window, half open and complete with a curtain blowing in the breeze. There is a miniature canary in its cage, whittering happily away, and from outside I can hear simit sellers calling out their wares and the more distant the honking of car and ferry horns. I am immediately transported back outside to the streets of Istanbul, nostalgic for a lost past I am too young to have known.

This level, and the ones above, are crammed with artefacts that are proof of Kemal’s love for Füsun, souvenirs of his lost love. Everywhere I look there are references to sights, sounds and smells that relate to the story, but more significantly, quintessential symbols of Istanbul and Turkish life more generally.

Here, in no particular order, is what I remember most from the museum.

“Of all the traditions that say Turkey to me, the use of lemon cologne is the earliest and strongest memory I will always have”.

Lemon cologne - the essence of TurkeyHow do you choose just one bottle of lemon cologne?

 

 

 

 

 

 

 

The ways we measure time ...

 

 

The agony of love is this...I'd wait a million hours for my one true love.Do you remember your first kiss?

 

 

 

 

 

Movie memorabilia – Kurban

Sacrificial ramsNew Year’s Eve

Try your luck on the tombola board!

Raki and                                                                                                      Attitudes to women

In Turkey any time's a good time for raki.Good girls or bad women? Who can tell?

 

 

 

 

 

 

The cigarette wall contains 4213 cigarette butts collected by Kemal. Each butt tells a story of his longing for Füsun.

Museum of Innocence - Evidence of love

Museum of Innocence - I’ll wait, of course

 

 

Museum of Innocence - A happy summer, very happy

I was very moved by my visit to the Museum of Innocence, and seeing a visual interpretation of Orhan Pamuk’s writings. I’ve read all his book, and while I enjoyed The Museum of Innocence, the book which speaks to me most is Istanbul: Memories and the City. It reads like a sorrowful missive to a long lost love, full of melancholy and yearning for the one who remains imprinted on his soul. Füsun is Kemal’s Istanbul.

I have been greatly inspired by Orhan Pamuk’s work so if you’d like to read my account of the way Istanbul feels to me, click here

Share Button

About Goreme1990

I’m Lisa Morrow, the person behind www.insideoutinistanbul.com. I was born in Sydney, Australia and grew up a leafy middle class North Shore suburb. After finishing high school I went to Sydney University but failed to find my niche. After working as a public servant, cleaner, sales assistant, waitress, bar maid and car counter, I went overseas. Once there I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. My three months stay in the small central Anatolian village of Göreme changed my life. On my return to Australia I earned a BA Honours Degree in Sociology from Macquarie University. An academic career beckoned but the call to travel was louder. After several false starts I moved to Turkey and lived there for ten years. In 2017 I moved to Lisbon, Portugal, but continue to travel regularly to Istanbul. In addition to my blog I've written a travel narrative memoir called "Waiting for the Tulips to Bloom: Adrift in Istanbul" and two collections of essays, "Inside Out In Istanbul: Making Sense of the City" and "Exploring Turkish Landscapes: Crossing Inner Boundaries". I have a regular segment on San Francisco Turkish radio and in early 2017 I released an audio walking tour called "Stepping back through Chalcedon: Kadikoy Walk", through VoiceMap. In addition I write for various international and Australian magazines and websites, as well as for this blog. A full list of my published articles, with links, can be found on the Writing on Turkey and Writing Beyond Turkey pages.
This entry was posted in Discover Istanbul, Turkish Literature and tagged , , . Bookmark the permalink.

One Response to Orhan Pamuk and the Museum of Innocence

  1. Ian says:

    It was a chilly and an extremely wet October day; we had walked around Gezi Park, but our real destination was Orhan Pamuk’s Museum of Innocence. The slippery cobbled paths going down to the museum soon did my bad back in, so by the time we reached the Museum of Innocence and paid to enter through a little window and told to leave our brollies outside, quite frankly all I needed was a large brandy with a double Nurofen chaser.

    My initial impression was one of interested delight, I hadn’t read the book, but my wife had, and she explained the significance of the exhibits as we went. I totally loved the ‘memory box,’ ‘collection of objects,’ style of presentation. However, by the time we’d ascended to the bedroom at the top, I felt the museum was contrived and monotonous. And unfortunately, that’s my lasting impression.

    I feel very sad that Orhan Pamuk is not a cherished Turkish author within Turkey, because he should be!

Leave a Reply

Your email address will not be published. Required fields are marked *